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sc.logistic~
| External |
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chaotic noise function.
A noise generator based on the logistic map on the logistic map
y = chaosParam * y * (1.0 - y) |
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sc.mantissamask~
| External |
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Reduce Precision.
Masks off bits in the mantissa of the floating point sample value |
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sc.pinknoise~
| External |
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1/f noise
Generates noise whose spectrum falls off in power by 3 dB per octave |
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sc.whitenoise~
| External |
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equal power noise
Generates noise whose spectrum has equal power at all frequencies
sc.brownnoise~ |
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sc3~
| External |
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encapsulates/links to the SuperCollider 3 music programming language
I am releasing v 0.996 (Max5, OSX 10.5/6) of my [sc3~] object for
Max/MSP. This object acts as a bridge between Max/MSP and the
SuperCollider 3 language. The free download and information is
available here:
http://music.columbia.edu/~brad/sc3~/
[sc3~] allows data and audio to be sent to/from the sclang and
scsynth processes, making it easy to integrate the SuperCollider 3
language into Max/MSP work. Multiple instantiations of the object
can exist in a single patcher, and SC3 scripts can be constructed
within Max/MSP or stored in the object's buffers for convenient
recall with a patch. Full source for the object and the modified
SuperCollider files are also available at the site. This syncs
the object with the latest stable release (SC3 v 3.4) of
SuperCollider 3.
I hope people find this useful -- Good luck, enjoy it! For more
information about SuperCollider 3, visit:
http://supercollider.sourceforge.net/
Brad Garton, Director
Columbia University Computer Music Center
http://music.columbia.edu/ color="#CC0000">~brad |
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scansynth~
| External |
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scansynth~ generates sound by scanning the shape of a circular string. |
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scope
| Patch |
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a utillity patcher using msp`s scope~ object and joshua kit claytons peak~ object.
a utillity patcher using msp`s scope~ object and joshua kit claytons peak~ object.
it has an auto-range feature which automatically adjusts Input Gain, Offset, and Trigger Level. This feature can also be triggerd manually by pressing the bang buttom while the auto mode is set to AutoOFF.
scope ( and scope~ ...) works well with frequencies between 1 hz and ~ 500 Hz. Lower Frequencies take too long to update, while higher frequencies do not look like you`d expect...
scope's audio input can be accessed by using \"send~ scope\" from any patcher. |
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scope~
| External |
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Graphical signal display |
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scrape~
| External |
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scrape~ is like drown~ except that it only operates between the frequencies specified by knee and cutoff to the Nyquist.
scrape~ is like drown~ except that it only operates between the frequencies specified by knee and cutoff to the Nyquist. Between knee and cutoff is a transition range to gradually increase the noise reduction. This is good if you just want to scrape some noise off the upper frequency range without affecting lower parts of the spectrum (much). |
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scrub~
| External |
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delay line scrubber |
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SDIF-info
| External |
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report overall info about an SDIF-buffer
The name of an SDIF-buffer is like the name of an MSP buffer~: it's a symbol that you assign as an argument to the SDIF-buffer object, and then other objects refer to the SDIF-buffer by its name. |
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sdif.add-1~
| External |
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Additive synthesis by FFT-1 after Rodet/Depalle
using SDIF (based on the CNMAT SDIF-buffer external).
The FFT-1 algorithm allows for efficient additive synthesis especially when unsing a great number of partials.
The object performs resynthesis of analysis files in SDIF format (1TRC) and require the SDIF-buffer external from CNMAT : http://www.cnmat.berkeley.edu
Distribution/licence: IRCAM Forum |
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sdif.pagsemble~
| External |
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PAGS, pitch aligned granular synthesis of a voice group
The PAGS resynthesis objects where originally developed in jMax for a virtual choir in Philippe Manoury's opera K...
A first porting to Max/MSP was done by Serge Lemouton.
Both objects perform resynthesis of PSOLA analysis files in SDIF format (1PSO) containing markers with voiced/unvoiced parameters and require the SDIF-buffer external from CNMAT : http://www.cnmat.berkeley.edu.
Distribution/licence: IRCAM Forum |
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sdif.pagsolo~
| External |
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PAGS, pitch aligned granular synthesis of a single voice.
The PAGS resynthesis objects where originally developed in jMax for a virtual choir in Philippe Manoury's opera K...
A first porting to Max/MSP was done by Serge Lemouton.
Both objects perform resynthesis of PSOLA analysis files in SDIF format (1PSO) containing markers with voiced/unvoiced parameters and require the SDIF-buffer external from CNMAT : http://www.cnmat.berkeley.edu
Distribution/licence: IRCAM Forum |
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segment~
| External |
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Detects onsets of sounds and notes |
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