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hoa.reverberation~
| Abstraction |
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A ambisonic reverberation.
hoa.reverberation~ use a algorithm based on feedback network delay and doppler effect to simulate a room reveberation. |
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hoa.wider~
| Abstraction |
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A fractional ambisonic's orders simulator.
hoa.wider~ can be used to make more wide the diffusion of a localised sound. The order depending signals are weighted and appear in a logarithmic way to have linear changes. |
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holey.pfft~
| External |
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Holey~ is a spectral filter, putting irregular holes into the spectrum of a sound.
Holey~ is a spectral filter, putting irregular holes into the spectrum of a sound. |
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home
| External |
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Get the current user's home directory on MacOS X
home finds the path to the Users "Home" directory - this would be "~/ " on Unix, and spits it out as a MaxMSP-path like "Macintosh HD:/Users/You". This way you can finally write preferences to ~/Library/Preferences/ , thus a Max standalone can run without admin rights, for example... |
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hostcontrol~
| External |
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ReWire host control formatting and transmission. |
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hostphasor~
| External |
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Retrieve a synchronization signal from a ReWire host. |
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hostsync~
| External |
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Retrieve transport control information from a ReWire host. |
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hp1~
| External |
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first order highpass filter |
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hpass1~
| Abstraction |
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highpass filter
This is a first-order IIR (infinite impulse response) highpass filter using biquad~. When you look inside you will see that it is made by subtracting a lowpass filtered version of a signal from the signal itself. The lowpass filter used is lpass1~, one of the simplest filters in the Jimmies collection (see lpass1~). The hpass1~ module accepts a cutoff frequency value which defines the frequency at which the low frequencies will begin to be attenuated; they will be attenuated right down to 0 Hz. There is no control for the slope of the attenuation curve (see hpass2~ for a second-order highpass filter). |
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hpass2~
| Abstraction |
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highpass filter
Analogous to hpass1~, this second-order IIR highpass filter is made by subtracting a lowpass filtered version of a signal from the signal itself. Logically, the lowpass filter used is lpass2~, a resonant lowpass filter. As with hpass1~, the cutoff frequency in the second inlet of hpass2~ defines the point at which the low frequencies will start to be attenuated. However, hpass2~ also takes a "damping factor", which controls the slope of the cutoff. Damping values greater than 1.41 produce a mild slope similar to that of hpass1~. However, damping factor values less than 1.41 produce moderate to extreme gain boost around the cutoff frequency, characterizing this filter as a resonant highpass filter (the gain boost creates a mild to pronounced resonating effect). |
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hr.biquad~
| External |
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hr.count~
| External |
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hr.div~
| External |
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hr.filtercoeff~
| External |
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hr.filtercoeff~ is an audio rate, double precision, biquad filter coefficient generator for several filter types.
hr.filtercoeff~ is an audio rate, double precision, biquad filter coefficient generator for several filter types. Since calucating this at full audio rate can be quite expensive, you can set the internal sampling rate with the resamp message. A resamp value of 1 will calculate coefficients at the current MSP sampling rate(most expensive), 2 at half that rate(cheaper), etc. A resamp value of 0 or >= signal vector size will calculate coefficients once per signal vector(cheapest). The gain input is ignored for the lowpass, highpass, bandpass, bandstop filters. Instead use gainlpass, gainhpass, gainbpass, or gainbstop. |
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hr.index~
| External |
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