Objects			page : 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
tanh~	External		Hyperbolic tangent function (tanh(x)) for signals
tanx~	External		tan(x) for signals
tap.allchange	External		Filter Out / eliminate repeated messages tap.allchange is similar to tap.change, but handles all standard Max message types.
tap.jit.getattributes	External		assistant for building abstractions This object is meant to assist in building abstractions which mimic the gettable attributes of Jitter externals.
tapemovie	Patch		This is a standalone application for controlling, processing, and analyzing various media in realtime. Standalone version - tapemovie is a modular software environment for controlling, processing, and analyzing various media in realtime (sound, video, 3D, lighting). It has stood the test of numerous productions since 2007, for theater, dance, concert performance and installation - enabling precise control and sequencing of media and their interactions while at the same time allowing connections with multiple peripheral controllers and interfaces. It is programmed with Max/MSP/Jitter and exists as a standalone application (free download), as well as in patch version for advanced users. tapemovie_lib
thispoly~	External		Reports poly~ instance number, controls voice allocation and muting
TimeLagAccumulator	Patch		A replica of the San Francisco Tape Music Center "Time Lag Accumulator" A replica of the San Francisco Tape Music Center "Time Lag Accumulator," hereafter referred to as TLA, because of the inherent joke, and because of impending repetitive stress issues. The TLA was originally a long tape delay scheme used by Terry Riley, Pauline Oliveros and others at the San Francisco Tape Music Center. It involved a couple of well calibrated tape recorders, one to record onto, and the other placed some distance away for playback. This same basic scheme was later utilized by Fripp & Eno, and forms the basis of "Frippertronics."
tl.crossover4~	External		4th order Linkwitz-Riley crossover filter (high and low). This is a commonly used high-end crossover filter for loudspeakers. It is a 24 dB per octave crossover filter with each filter down 6 dB at crossover. An important feature of the filter is that the two drivers (the low and high passed filters) are actually in phase at all frequencies. That is, even though the filters have their own characteristic phase responses the phase difference between the two output signals is the same at all frequencies. As a result, each filter section has the same group delay.
tl.list.tanh	External		Tanh curve as list
tl.metro	Abstraction		Alternative metro. If audio is running, tl.metro is driven by phasor~. If audio is of, tl.metro resorts to standard metro Useful for tight sync to audio as well as non-real-time rendering.
tl.midi.a	Abstraction		Define universal standard pitch. Correct MIDI values.
tl.midi.a~	Abstraction		Define universal standard pitch. Correct MIDI values (audio). Signal version of tl.midi.a
tl.pi	External		Calculate mathematical constant¹ (PI)
Trajaudioapp	Patch		modular panning patch This patch allows you to pan a soundfile and/or input in up to eight channels using the trajectory object (by JB Thiebaut), math by Yves Gigon and the rest by Carey Dodge, 2005 (soundscape 'at' fastmail.fm). The virtual speaker placement is in a clockwise formation evenly spaced in a circle (except for 1 and 2 channel panning). Channel 1 is always at the top of the circle, however output channels can be remapped. This is a completely modular panning patch. You can run multiple patches simultaneously without conflict. Email me if you want to get in behind the patch. I would like to add a doppler effect soon.
universal	External		Send a message to all instances of the same class in a patcher
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Libraries
artificial tango	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='104'Olaf Matthes	The artificial tango library is a collection of externals for Max/MSP dealing with recognition, analysis and generation of musical structures and events. Most objects take MIDI data as input. In order to use the objects from the artificial tango library FTM 2.0 has to be installed on your system.
Cosm	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='147'Wesley Smith Graham Wakefield	Cosm is an integrated collection of externals and abstractions to assist the construction of navigable, sonified virtual worlds using Max/MSP/Jitter. Cosm has been designed to require only minimal changes to existing Max/MSP/Jitter patches to support a number of features valuable in the creation of virtual worlds. Supports six-degrees-of-freedom (6DoF) navigation using quaternions, spatial audio using 3rd order Ambisonics, distance filtering and doppler, collision detection using spherical intersection (query sphere), world boundaries, stereographic control, 3D field interaction, and a strategy for remote rendering.
EAMIR - the Electro-acoustic Musically Interactive Room	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='133'V.j. Manzo	The EAMIR project is an open-source effort to enable educators with technology for music education. Software is designed around a common configuration which can be easily implemented by music educators around the world by downloading source code and standalone applications through eamir.org. Users who understand programming can edit the source code and post their new source and standalone applications back to the site for the EAMIR community to use. Much of the EAMIR software is also designed to allow students with physical and mental disabilities to create meaningful music using interfaces that are accessible to their needs. The EAMIR SDK allows users to easily create their own EAMIR-like applications by connecting preassembled interface modules to musical modules. The interfaces include cameras with color tracking, guitar hero controllers, wii remotes and devices, dance dance revolution pads, and other gaming controllers as well as traditional MIDI instruments like keyboards. created by V.J. Manzo www.vjmanzo.com | www.eamir.org
loadbang.net SQL	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='99'Nick Rothwell	A Java library for communicating with SQL databases from MXJ. We currently support MySQL and HSQLDB. The HSQLDB system includes an embedded database instance, so it runs automatically from text files in Max\'s search path; no external database server configuration is necessary.
MaxAlea	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='96'Carl Faia	MaxAlea contains various objects for random distributions and functions. MaxAlea was begun as a Max port of an existing PatchWork Library created in 1991-2 by Mikhail Malt. While the distributions and functions found in MaxAlea are similar to those found in the Patchwork version ,there are many differences in their functioning. The environment of Patchwork is static and is not designed for real-time work. Part of the incentive for creating these objects to work with Max was to have a dynamic and real-time environment with which to experiment and work with these algorithms in a manner as simple and straightforward as possible. One can change variables and manipulate the output in many ways in real-time. There are several different versions of the various stochastic models/processes best presented in the now classic references by Denis Lorrain and Charles Dodge. Carl Faia has used a variety of sources for the creation of this library which include the Lorrain, Dodge and Malt implementations as well as sources found on the WorldWideWeb. The externals found in the package include several random distributions, examples of random walks and 1/f noise algorithms, as well as one or two utilities written specifically for the MaxAlea library. Carl Faia wanted to make a coherent collection (as he thought Malt had managed to do in PatchWork) of these various algorithms and provide an interface easily accessible using the Max environment for real-time control. All these algorithms have been created using a seeded version of the random function found in the standard AINSI library. That is, each time the function is first run there will always be a different set of random numbers (unlike the random funtions found in Max, PatchWork and other versions of random number generators).
Panaiotis Objects	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='122' Panaiotis	The Mac version is UB. These Max objects have been enhanced since the documentation to the left was written. Help files for the objects provide information on enhancements. The matrix object has been substantially upgraded. It now combines features of unpack, spray, funnel, append, and prepend into one object. This makes a great object to place between controllers and jit objects because it acts like a multi-prepend. There are new configuration commands and enhancements to the old: even, odd, mod,and range, among others). Most commands can be applied to inlets of outlets. There is also a mute function that adds another layer of control. Matrixctrl support has been enhanced. See the help file for full details and examples. Most other objects now fully support floats. RCer and autocount will count in float values, not just integers. Notegen16 is a 16 channel version of its predecessor: notegen. It is more generalized and much more efficient.
PeRColate	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='5'Dan Trueman	PeRColate is an open-source distribution of a variety of synthesis and signal processing algorithms for Max, MSP, and Nato. It is centered around a (partial) port of the Synthesis Toolkit (STK) by Perry Cook (Princeton) and Gary Scavone (Stanford CCRMA). Like the STK, it provides a fairly easy to use library of synthesis and signal processing functions (in C) that can be wired together to create conventional and unusual instruments. Also like the STK, it includes a variety of precompiled synthesis objects, including physical modeling, modal, and PhISM class instruments; the code for these instruments can serve as foundations for creating new instruments (one example, the blotar, is included) and can be used to teach elementary and advanced synthesis techniques. Given it's STK heritage and educational function, PeRColate is largely un-optimized, though all the objects run on a 80MHz 7100, which is pretty good. PeRColate also includes a number of objects not from the STK; some are from RTcmix and others are our own evil creations, designed to crash your computer, but only after making some kind of interesting sound or image.
SFA Max/MSP Library	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='172'Stefano Fasciani	The SFA-MaxLib is a collection of Max/MSP objects developed in the context of the VCI4DMI. It includes functions and utilities in the form of FTM externals, FTM abstractions and Max abstractions. FTM is a shared library for Max/MSP developed by IRCAM, which provides a small and simple real-time object system and a set of optimized services to be used within Max/MSP externals. List of FTM Externals: sfa.eig - eigenvalues; sfa.inputcombinations - combination generator; sfa.levinson - levinson-durbin recursion; sfa.lpc2cep - lpc to cepstra conversion; sfa.rastafilt - rasta filter; sfa.rmd - relative mean difference; sfa.roots - polynomial roots; List of Abstractions: sfa.bark.maxpat - energy of the Bark bands from time domain frame;sfa.bark2hz_vect.maxpat - Herts to Bark conversion;sfa.barkspect.maxpat - energy of the Bark bands from spectrum; sfa.ceil.maxpat - ceil function; sfa.featfluxgate.maxpat - gated distance on stream of feature vectors; sfa.fft2barkmx.maxpat - utility sub-abstraction of sfa.bark; sfa.fft2barkmxN.maxpat - utility sub-abstraction of sfa.barkspect; sfa.hynek_eq_coeff.maxpat - hynek equalization coefficients; sfa.hz2bark.maxpat - Hertz to Bark conversion; sfa.hz2bark_vect.maxpat - Hertz to Bark conversion for vectors; sfa.hz2mel.maxpat - Hertz to Mel conversion; sfa.idft_real_coeff.maxpat - utility sub-abstraction of sfa.rasta-plp; sfa.maxminmem.maxpat - minimum and maximum of a stream of data; sfa.mfcc.maxpat - MFCC coefficients; sfa.modalphafilter.maxpat - 1st order IIR lowpass on a stream of vectors; sfa.nonlinfeqscale.maxpat - linear spectrum to Bark or Mel scale conversion; sfa.rasta-plp.maxpat - PLP and RASTA-PLP coefficients; sfa.spectmoments.maxpat - 4 spectral moments (centroid, deviation, skewness, kurtosis); sfa.3spectmoments+flatness.maxpat - 3 spectral moments (centroid, deviation, skewness) and the spectral flatness; sfa.spectralflux.maxpat - spectral flux on stream of spectrum vectors; sfa.spectralfluxgate.maxpat - gated spectral flux on stream of spectrum vectors; sfa.std.maxpat - standard deviation; sfa.win_to_fft_size.maxpat - smaller FFT size given frame size; sfa.GCemulator.maxpat – 3D gestural controller emulator;
suivi	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='88' Ircam	Two externals performing score following on soloist performances using Hidden Markov Models (HMM) Suivi is based on FTM and requires the shared library FTMlib for Max/MSP. Both externals use an FTM track object - a sequence of time-tagged FTM values - to store the score of the soloist performance to be followed. Notes, trills and other elements of the score are represented by FTM score objects (FTM scoob class). For the moment, scores can be imported from standard MIDI files only. An editor for the FTM track class, which will also provide a graphical control interface for the score follower is under development as well as the import of MusicXML files. The suivi object set is distributed within the IRCAM Forum.
tapemovie	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='144'Tom Mays Olivier Pfeiffer Renaud Rubiano	tapemovie is a modular software environment for controlling, processing, and analyzing various media in realtime (sound, video, 3D, lighting). It has stood the test of numerous productions since 2007, for theater, dance, concert performance and installation - enabling precise control and sequencing of media and their interactions while at the same time allowing connections with multiple peripheral controllers and interfaces. It is programmed with Max/MSP/Jitter and exists as a standalone application (free download), as well as in patch version for advanced users.
Teleo Max Objects for Teleo Introductory Module	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='55' MakingThings LLC	This set of software will stand alone for users of the new Teleo Introductory Module
Tristan Externals	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='4'Tristan Jehan	FFT-based (optimized for the G4 processor)