Objects			page : 1 2 3 4 5 6 7 8 9
Granular	Patch		msp Granular Synthesis
Granular Cloud Generator	Patch		applies synchronous and asynchronous granular synthesis techniques to form granular clouds (in real time) output to 2-4 channels. applies synchronous and asynchronous granular synthesis techniques to form granular clouds (in real time) output to 2-4 channels. It allows for up to 400 grains per second and includes reverb, all manner of transpositions, and automation controls.
granulùf	Standalone Application		it's a live performance software with effects, stretching, synthetiser, granuling, stuttering etc.
guiro~	External		guiro PhISM model, STK, synthesis toolkit
hoa.grain~	Abstraction		An ambisonic granular synthesizer.
Inarmonium	Standalone Application		Inarmonium is a random synthesizer with 6 modules of synthesis: additive synthesis, ring modulator, frequency modulation, analogue sync, subtraction synthesis and Mac-Adams. It is perfect for live electronics. It is possible to control the 32 parameters of synthesis with a neural network interface. Beside, systems of automatic sound generation, togheter with the random variation of the frequency and amplitude, make Inarmonium crazy, bizarre but also very deep indeed.
interchanzheblique	Patch		Interchanzheblique is a fairly sophisticated modular sound-generating patch It is set up as a modular synthesizer, but the modules represent different musical aspects of the sound. There are four different types of module: Rhythm, Pitches, Timbre, and Envelope. Each type of module generates its particular musical aspect in a different way, and the combination of the four modules you choose defines the overall sound. Each module also has multiple parameters to fine-tune the sound.
jn.resynth	Patch		Granular resynthesizer 2 comments
Kenaxis	Standalone Application		realtime sampling or playback of prerecorded loops. + granular synth engine + effects
klangpilot	Patch		a sophisticated engine for interpolation between 3 different sounds in realtime a sophisticated engine for interpolation between 3 different sounds in realtime using spectral analysis and resynthesis, requires the [iana~] external from IRCAM forum
Le Synthé V5	Standalone Application		Virtual emulator of AKS synthesizer (EMS)
lpc~	External		cross-synthesizer
Lperc	External		An object to play notes with velocity and duration preset according to pitch. An object to play notes with velocity and duration preset according to pitch. This object is designed to control synthesizer patches that feature different sounds on each pitch.
lua~	External		Lua~ is a Max/MSP external embedding an extension to the Lua programming language for computer music composition (the Vessel library), supporting sample accurate interleaving of synthesis and functional control. Lua~ is a Max/MSP external embedding the Vessel library for Lua, supporting dynamic yet deterministic interleaving of both signal processing and structural control with up to sample accuracy. For representation, it comprises an interpreted music programming language (a variation to the Lua programming language with extensions for event, control and synthesis articulation), while for rendering, it comprises a deterministic, dynamic, lazy scheduling algorithm for both concurrent control logic and signal processing graphs. A lua~ object embedded in a Max patch can load and interpret Lua scripts that make use of these extended capabilities in order to receive, transform and produce MSP signals and Max messages accordingly. Lua~ is particularly well suited to granular synthesis, algorithmic microsound and accurate timing needs, helpfully circumventing some of the limitations of the Max/MSP environment for such work by supporting highly dynamic signal processing graphs in parallel processes according to timing specifications below block rate. Using an interpreted scripting language within a graphical programming environment such as Max offers advantages of control flow, generality of data and structure, high precision and control, complexity of data and functional interdependency and variable scoping.
mandolin~	External		mandolin physical model, STK, synthesis toolkit
page : 1 2 3 4 5 6 7 8 9

Libraries
A-Objects	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='37' Sier	This is small growing externals set for max msp jitter by cycling74. ranges from utility objects to some 3d synthetic motion physics sonic undulation
DensityM4L	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='156'Alessandro Petrolati	Density/Pulsaret Ableton Live Integration Granular Synthesis
Digital Orchestra Toolbox	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='134'Joseph Malloch	The Digital Orchestra Toolbox is a collection of Max/MSP abstractions that we have found useful in creating gesture processing, mapping, and synthesis patches for digital musical instruments. Each patch is accompanied with a help patch to demonstrate its use.
FFTease	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='6'Eric Lyon Christopher Penrose	FFTease is a collection of Max/MSP objects implementing various forms of spectral sound processing. These include an additive-synthesis phase vocoder, noise reduction, cross synthesis, and more unusual forms of spectral processing
Grain Tools	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='73'Marcel Wierckx	a set of abstractions for performing various granular synthesis tricks. Released under the GNU General Public License.
Granular Toolkit	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='44'Nathan Wolek	set of externals and abstractions developed using several granular synthesis concepts. Effects available in this download include pitch shifting, spatializing, \"clouds\", chord production and looping.
Litter Power Pro Package	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='54'Peter Castine	The Litter Power package consists of over 60 external objects, including a number of new MSP noise sources, externals that produce values from a wide variety of random number distributions, and externals for mutation and cross-synthesis.
make-enveloppe	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='16'Fredrik Olofsson	seven abstractions that creates different kinds of envelopes. perfect for grain synthesis. including adsr, blackman, curve, gauss, hamming, hanning, trapezoid.
PeRColate	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='5'Dan Trueman	PeRColate is an open-source distribution of a variety of synthesis and signal processing algorithms for Max, MSP, and Nato. It is centered around a (partial) port of the Synthesis Toolkit (STK) by Perry Cook (Princeton) and Gary Scavone (Stanford CCRMA). Like the STK, it provides a fairly easy to use library of synthesis and signal processing functions (in C) that can be wired together to create conventional and unusual instruments. Also like the STK, it includes a variety of precompiled synthesis objects, including physical modeling, modal, and PhISM class instruments; the code for these instruments can serve as foundations for creating new instruments (one example, the blotar, is included) and can be used to teach elementary and advanced synthesis techniques. Given it's STK heritage and educational function, PeRColate is largely un-optimized, though all the objects run on a 80MHz 7100, which is pretty good. PeRColate also includes a number of objects not from the STK; some are from RTcmix and others are our own evil creations, designed to crash your computer, but only after making some kind of interesting sound or image.
pg.library	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='161'Pierre Guillot	The pg.library is a collection of externals for Max 5 and Max 6. It includes a data, a msp and a fft library. The Data library is a collection of externals for Max 5 and 6 that can be useful for the management, the transformation and the generation of data. The Dsp library is a collection of externals for Max 5 that allows you to pack/unpack signals and to adapt signals for the operations with packed signals. It includes a quasi-synchronous granlular synthesiser and chaotic signal generator. The FFT library is a collection of externals for Max 6 for spectral description and analysis of a signal.
PulsaretM4L	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='155'Alessandro Petrolati	PulsaretM4L Ableton Live Integration Granular Synthesis
The sadam Library	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='154'Adam Siska	The sadam Library is a set of free tools that I programmed for MaxMSP. Main topics covered by the externals are streaming & networking (TCP & UDP), complex data management (XML, compression, base64), sound analysis & synthesis and some basic but useful objects for Max & MSP.