Objects			page : 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48
midiformat	External		Format data into a MIDI message Format data into a MIDI message.Midiformat takes ints or lists of two ints denoting MIDI messages and formats them as raw MIDI bytes. You set the channel with the argument and the last inlet.
midiinfo	External		Set a pop-up menu with current names of MIDI devices When midiinfo receives a bang or int in its left inlet, it sends a series of messages which will set up a pop-up menu to a list of MIDI output devices. If you check "Evaluate Item Text" in the pop-up menu dialog, you can connect the right outlet of the menu to a MIDI output object to select MIDI devices by name. A number in midiinfo's right inlet creates a list of MIDI input devices.
mindwarp~	External		mindwarp~ performs spectral envelope warping. mindwarp~ performs spectral envelope warping. It can be used to correct for the formant shifting effects of pitch-scaling. The warp factor is tuned to warp spectra to compensate for directly corresponding pitch-scaling values. For example, if you have pitch-scaled a signal by a factor of two, increasing its frequency content by an octave, by providing mindwarp~ with a warp factor of 2. and the pitch-scaled signal, mindwarp~ will restore the spectral formant of the signal to an estimation of the shape present in the original unscaled signal. Currently, warp factor values are restricted to the range [1/16 ... 16.]. mindwarp~ utilizes frequency shaping to perform its duty.
minus~(-~)	External		Signal minus operator: produces the difference between two signals
mirror	Abstraction		Create a mirrored number (subtracts the difference from the mirror number.
ml.visible	External		keeps your patches visible checks if window is fully visible. if it is nothing happens. If not it will reposition it on the left upper corner of the main screen
mlp	External		Artificial Neural Network
Modal Analysis	External		The Modal Analysis object analyzes notes played during a user specified window of time and tells what mode you're playing in. created by V.J. Manzo The modal_analysis object takes incoming notes in its left inlet and determines in what mode and tonic you’re playing when a bang is sent to its right inlet. The object attempts to filter out repetitions and organize notes to infer a mode. Double clicking the object will reveal a window similar to that of the modal change object which shows the mode as well as the scale degree distances that make up the scale and the particular mode’s context within the larger pitch collection. The ordered scale degrees are output as a list from the objects left outlet and the scale degree distances are output from its second outlet. The modal analysis+ object does everything modal_analysis does, but is also set to integrate with the modal change object to trigger a new mode change when a mode is analyzed. A user could conceivably play a scale, have it analyzed and then generate chords from that scale in real-time. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
Modal Change	External		The Modal Change object is a compositional algorithm to control modality. It outputs scale degrees and creates tables and lists that adhere to one of the 7 modes. created by V.J. Manzo The Modal Change object allows a user to specify a tonic and diatonic mode in its two inlets and get the pitch class value of each scale degree out its eight outlets. A user can send a pitch class number or a letter name message to its left inlet to set the tonic. A message box with a mode name such as major, minor, Phrygian, Lydian b7, can be sent to the right inlet to build up a scale from the given tonic. The object will output the scale degrees for any tonic within the modes of the major scale, the melodic minor scale, the harmonic minor scale, and the harmonic major scale (the major scale with flatted 6). Instead of using one of the mode names to build a scale, a user can also send a message with the number of whole steps and half steps desired to build their scale, and receive the scale degree pitch classes from its outlets. Double clicking the object will open a display that allows the user to see what mode they’re in and other information related to the mode including scale degree distances that make up the scale and the particular mode’s context within the larger pitch collection. The object can receive all of the organized pitch class data into a table or by using an internal table with the argument table1. The object can also receive the organized pitch class data into a coll list or by using an internal coll list with the argument scale. The coll list also has an added feature: it will take any incoming pitch and filter it to the nearest note from the selected scale. This allows you to set the tonic and mode, and filter all incoming pitch data so that whatever note is played, it will conform to the diatonic pitch collection you’ve selected. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
Modal Mutation	External		The Modal Mutation object is similar to Modal Shift in that it finds modal relationships, but restricts relationships to those sharing a common root. created by V.J. Manzo The modal mutation object is identical to the modal_shift object, but it outputs only those related modes sharing a common tonic or a semitone inflection of the tonic. Related modes are defined as the object takes the pitches of the scale and moves each scale degree up or down one at a time to see if a new diatonic mode can be formed. This process will list 42 related modes for any of the major scale modes, 28 related modes for any of the melodic minor scale modes, 21 related modes for any of the harmonic minor scale modes, and 21 related modes for any of the harmonic major scale modes. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
Modal Net Send & Receive	External		The Modal Net Send & Receive objects are optimized for using the Modal Change object over a network. created by V.J. Manzo The modal netsend and netreceive objects are simple abstractions designed to optimize sending modal_change messages over a network. It uses normal UDP network features for port and IP address specification. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
Modal Shift	External		the Modal Shift object is an addon for my Modal Change object which controls modality. When a bang is sent to the modal_shift object, it finds a related mode by changing just once scale degree from the original mode. The modal shift object is similar to the modal_shiftlist object, but it is optimized to randomly choose one of the related modes when a bang is sent to its left inlet. Related modes are defined as the object takes the pitches of the scale and moves each scale degree up or down one at a time to see if a new diatonic mode can be formed. This process will list 42 related modes for any of the major scale modes, 28 related modes for any of the melodic minor scale modes, 21 related modes for any of the harmonic minor scale modes, and 21 related modes for any of the harmonic major scale modes. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
Modal Shift	External		The Modal_Shift object integrates with the Modal_Change object to find relationships between the current mode and all of the accessible modes within one scale degree. created by V.J. Manzo The Modal_Shift object integrates with the Modal_Change object to find relationships between the current mode and all of the accessible modes within one scale degree. created by V.J. Manzo
Modal ShiftList	External		The Modal_Shiftlist object is like the Modal_Shift object, but stores all related modes into a selectable menu created by V.J. Manzo The modal shiftlist object receives a tonic and mode name in its inlets and populates a list of all related modes sharing 6 of 7 notes. It takes the pitches of the scale and moves each scale degree up or down one at a time to see if a new diatonic mode can be formed. This process will list 42 related modes for any of the major scale modes, 28 related modes for any of the melodic minor scale modes, 21 related modes for any of the harmonic minor scale modes, and 21 related modes for any of the harmonic major scale modes. When one of these related modes is selected from the list, the object automatically repopulates the list with modes related to the new key. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
Modal Triad	External		The Modal_Triad object generates chords in root position or inversions. It takes traditional chord names, chord function numbers, Roman numerals, tonicizations, etc. It even takes altered chords like Ebdom7b9#11. created by V.J. Manzo The modal triad object allows a user to play tertian chords of any quality. It receives scale data from the modal_change object and, when a tonic and mode is selected, the object receives the numbers 1-8 in its leftmost inlet to output the notes of the chord function associated with that number. For example, in major keys, the numbers 1, 4 and 5 are always major chords, 2, 3, and 6 are minor, so, if C Major is selected, a 2 sent to the modal_triad object will yield the notes of a d minor chord. For each selected chord, the notes of that chord are sent to the object’s 7 outlets in the following order: root, third, fifth, seventh, ninth, eleventh, thirteenth. Alterations like flat ninth or sharp eleventh are inferred by the chord function as it relates to the selected tonic and mode. The second inlet of the object allows the chord tones, received as pitch classes, to be restricted to one octave. The object also takes Roman numeral functions to yield chords. The standard capital Roman numerals for major, lower case Roman numerals for minor are used. A lower case Roman numeral iv in the key of C Major will yield an F minor chord regardless of the fact that chord has non-diatonic chord tones in it, the Ab. A capital Roman numeral with a plus sign next to it will yield an augmented chord, and a lowercase Roman numeral with a zero next to it will yield a diminished chord. In the same manner, a user can use letter names to build chords. A capital C will yield a C Major chord while a lower case e will yield an e minor chord. A capital C plus will yield an augmented chord and a lower case d zero will yield a d diminished chord. (set to C Major) This object also receives messages for tonicizations. A user can send the message Roman numeral V/5, to yield the 5 of 5 (a D Major chord in the key of C Major). The V Chord Tonicizations produce a Dominant 7th chord for each scale degree in the selected mode. That is, the root, 3rd, 5th, and 7th will form a Dominant 7th Chord exactly one perfect 5th above a given scale degree. The 9th, 11th, and 13th pitches of the chord are inferred according to the selected mode and NOT the mode from which the tonicizing chord prevails. Similarly the object allows other types of tonicizations including leading tone tonications and minor four tonicizations. Augmented 6th chords and Neopolitan chords can also be implemented. It even takes altered chords like Ebdom7b9#11. created by V.J. Manzo www.vjmanzo.com | www.vincemanzo.com
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Libraries
A-Chaos Lib	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='21' Sier	library of non-linear strange attractors for max under macintosh sys, extended from Richard Dudas Chaos Collection, including the source (24 dynamic non-linear systems:: a-baker, a-clifford, a-collatz, a-duffing, a-fibonacci, a-ginger, a-henon-heilles, a-henon, a-henonf, a-henonphase, a-ikeda, a-jong, a-logistic, a-logistic1, a-lorenz, a-lorenz.e,a-lyapunov, a-navier-stokes, a-navier-stokes.e, a-rossler, a-stein, a-stein1, a-torus and a-verhulst)
AHRS Max Library	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='168'Giuseppe Torre	The AHRS Library (Attitude Heading Reference System) is a set of Max externals that allows you to perform a series of basic calculations for 3D/4D vectorial math used in aerodynamics. If you are using a three axis accelerometer and a three-axis magnetometer check out the"ahrs_triad" object which enables you to find the orientation of your cluster of sensor with respect to the Earth fixed coordinates.
artificial tango	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='104'Olaf Matthes	The artificial tango library is a collection of externals for Max/MSP dealing with recognition, analysis and generation of musical structures and events. Most objects take MIDI data as input. In order to use the objects from the artificial tango library FTM 2.0 has to be installed on your system.
Cosm	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='147'Wesley Smith Graham Wakefield	Cosm is an integrated collection of externals and abstractions to assist the construction of navigable, sonified virtual worlds using Max/MSP/Jitter. Cosm has been designed to require only minimal changes to existing Max/MSP/Jitter patches to support a number of features valuable in the creation of virtual worlds. Supports six-degrees-of-freedom (6DoF) navigation using quaternions, spatial audio using 3rd order Ambisonics, distance filtering and doppler, collision detection using spherical intersection (query sphere), world boundaries, stereographic control, 3D field interaction, and a strategy for remote rendering.
FuzzyLib	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='139'Alain Bonardi Isis Truck	When manipulating human knowledge such as perception, feelings, appreciation, veracity of facts, etc., the classical logic that recognize only two truth degrees (true or false) is not always the most suitable. To solve this problem, more than two degrees are considered in the non-classical logics. The fuzzy logic is one of these logics. In this logic, facts are represented through membership functions: when the membership value is equal to 1 the fact is exactly true; when it is equal to 0 the fact is exactly false; in between there is an uncertainty about the veracity of the fact. These membership functions are called "fuzzy subsets". They can be of different shapes: gaussian, trapezoidal, triangular, etc. Thus the aim of the fuzzy logic is to propose a theoretical framework for the manipulation - representation and reasoning - of such facts. The Fuzzy Lib library implements all the tools that are necessary to handle this manipulation: representation of a fuzzy subset (among them are the fuzzification, defuzzification and partitioning), reasoning process (generalized modus ponens, fuzzy implications, t-norms, t-conorms, etc.). This version 1 of the Fuzzy Lib enables to implement fuzzification, uncertain reasoning and defuzzification for any number of data in the framework of Max/MSP environment.
Granular Toolkit	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='44'Nathan Wolek	set of externals and abstractions developed using several granular synthesis concepts. Effects available in this download include pitch shifting, spatializing, \"clouds\", chord production and looping.
hi.tools	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='158'Max Egger	An alternative to Max/MSP’s hi object, 2010 by Max Egger hi.tools lets you communicate with human interface devices (HID), like mice, joysticks or do-it-yourself usb thingies that follow the HID specification.
imp.dmx	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='157'David Butler	imp.dmx is a cross-platform collection of Max/MSP/Jitter abstractions for dealing with DMX data in various forms. It focuses around the use of jitter matrices to store data, which the objects then read and write to. The aim is to provide the bridge between your patch and whatever object or method you use to output DMX from Max. The abstractions use native Max objects only, excepting the Art-Net patches which use some custom java networking objects, included in the distribution package. If you have any questions or suggestions, please contact me at david@theimpersonalstereo.com. Check for updates at http://www.theimpersonalstereo.com.
int.lib	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='97'Oli Larkin	int.lib is a set of abstractions/javascripts that lets you interpolate between different presets by navigating a 2D graphical environment. It's similar in concept to the Audiomulch Metasurface, Color blobs and the Hipnoscope but implements a gravitational system, allowing you to represent presets with variable sized balls. As you move around the space, the size of the balls and their proximity to the mouse cursor affects the weight of each preset in the interpolated output.
jr.abstractions	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='126'Jakob Riis	A set of simple abstractions for everyday maxmsp life
KN-Lib 2.7	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='109'Roland Cahen	KN-Lib is a collection of everyday abstraction tools. It contains mouse and keyboards facilities, converters, calculation, random, interval and scale generators, midi utilities...etc (The old version is no longer available. If necessary it can be downloades at : ftp://ftp.forumnet.ircam.fr/pub/max/FAT/misc)
make-enveloppe	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='16'Fredrik Olofsson	seven abstractions that creates different kinds of envelopes. perfect for grain synthesis. including adsr, blackman, curve, gauss, hamming, hanning, trapezoid.
Max	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='12' Cycling74	Max/MSP is a graphical environment for music, audio, and multimedia. In use worldwide for over fifteen years by performers, composers, artists, teachers, and students, Max/MSP is the way to make your computer do things that reflect your individual ideas and dreams.
MaxAlea	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='96'Carl Faia	MaxAlea contains various objects for random distributions and functions. MaxAlea was begun as a Max port of an existing PatchWork Library created in 1991-2 by Mikhail Malt. While the distributions and functions found in MaxAlea are similar to those found in the Patchwork version ,there are many differences in their functioning. The environment of Patchwork is static and is not designed for real-time work. Part of the incentive for creating these objects to work with Max was to have a dynamic and real-time environment with which to experiment and work with these algorithms in a manner as simple and straightforward as possible. One can change variables and manipulate the output in many ways in real-time. There are several different versions of the various stochastic models/processes best presented in the now classic references by Denis Lorrain and Charles Dodge. Carl Faia has used a variety of sources for the creation of this library which include the Lorrain, Dodge and Malt implementations as well as sources found on the WorldWideWeb. The externals found in the package include several random distributions, examples of random walks and 1/f noise algorithms, as well as one or two utilities written specifically for the MaxAlea library. Carl Faia wanted to make a coherent collection (as he thought Malt had managed to do in PatchWork) of these various algorithms and provide an interface easily accessible using the Max environment for real-time control. All these algorithms have been created using a seeded version of the random function found in the standard AINSI library. That is, each time the function is first run there will always be a different set of random numbers (unlike the random funtions found in Max, PatchWork and other versions of random number generators).
MSP	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='7' Cycling74	Max/MSP is a graphical environment for music, audio, and multimedia. In use worldwide for over fifteen years by performers, composers, artists, teachers, and students, Max/MSP is the way to make your computer do things that reflect your individual ideas and dreams.
net.loadbang.groovy	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='130'Nick Rothwell	net.loadbang.groovy is a package which supports the Groovy scripting/programming language within MXJ for Max/MSP. Groovy is an agile, dynamic language for the Java Virtual Machine (JVM) which builds upon Java by providing features such as closures and support for domain-specific programming (such as XML processing and database access). It integrates seamlessly with Java and is very similar in syntax.
Optimized Gates	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='34'Stephen Kay	7 different optimized gates ("bgate" for bangs, "igate" for ints, "fgate" for floats, "sgate" for symbols, and "lgate" for lists. These do not need to do a message lookup, since they only deal with one data type. Also includes "andGate" and "orGate" by David Roach)
ri.Lorenz MSP objects	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='169'Ryo Ikeshiro	Calculates the Lorenz dynamical system and various modifications at signal rate. Can be controlled by either floats or signal for sample-accurate timing. Currently only available for Mac OS X 10.5 or later (Intel). The following have only been tested on Max 5.
SDIF	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='43'Matt Wright	SDIF (Sound Description Interchange Format) support in Max/MSP
SFA Max/MSP Library	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='172'Stefano Fasciani	The SFA-MaxLib is a collection of Max/MSP objects developed in the context of the VCI4DMI. It includes functions and utilities in the form of FTM externals, FTM abstractions and Max abstractions. FTM is a shared library for Max/MSP developed by IRCAM, which provides a small and simple real-time object system and a set of optimized services to be used within Max/MSP externals. List of FTM Externals: sfa.eig - eigenvalues; sfa.inputcombinations - combination generator; sfa.levinson - levinson-durbin recursion; sfa.lpc2cep - lpc to cepstra conversion; sfa.rastafilt - rasta filter; sfa.rmd - relative mean difference; sfa.roots - polynomial roots; List of Abstractions: sfa.bark.maxpat - energy of the Bark bands from time domain frame;sfa.bark2hz_vect.maxpat - Herts to Bark conversion;sfa.barkspect.maxpat - energy of the Bark bands from spectrum; sfa.ceil.maxpat - ceil function; sfa.featfluxgate.maxpat - gated distance on stream of feature vectors; sfa.fft2barkmx.maxpat - utility sub-abstraction of sfa.bark; sfa.fft2barkmxN.maxpat - utility sub-abstraction of sfa.barkspect; sfa.hynek_eq_coeff.maxpat - hynek equalization coefficients; sfa.hz2bark.maxpat - Hertz to Bark conversion; sfa.hz2bark_vect.maxpat - Hertz to Bark conversion for vectors; sfa.hz2mel.maxpat - Hertz to Mel conversion; sfa.idft_real_coeff.maxpat - utility sub-abstraction of sfa.rasta-plp; sfa.maxminmem.maxpat - minimum and maximum of a stream of data; sfa.mfcc.maxpat - MFCC coefficients; sfa.modalphafilter.maxpat - 1st order IIR lowpass on a stream of vectors; sfa.nonlinfeqscale.maxpat - linear spectrum to Bark or Mel scale conversion; sfa.rasta-plp.maxpat - PLP and RASTA-PLP coefficients; sfa.spectmoments.maxpat - 4 spectral moments (centroid, deviation, skewness, kurtosis); sfa.3spectmoments+flatness.maxpat - 3 spectral moments (centroid, deviation, skewness) and the spectral flatness; sfa.spectralflux.maxpat - spectral flux on stream of spectrum vectors; sfa.spectralfluxgate.maxpat - gated spectral flux on stream of spectrum vectors; sfa.std.maxpat - standard deviation; sfa.win_to_fft_size.maxpat - smaller FFT size given frame size; sfa.GCemulator.maxpat – 3D gestural controller emulator;
Theater Max!	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='93'Jonathan Snipes David Beaudry	A collection of abstractions for Max/MSP specifically for real-time control of sound.
vRand abstractions	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='77'Gary Lee Nelson	These new objects assume that you have downloaded and installed one of the the externals from the Random Objects library. There are OS9, OSX and PC versions. (Thanks again to Jeremy Bernstein.) I have not tested these new abstractions in OS 9 or Windows and would appreciate hearing from anyone you can verify that they work.
xjimmies	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='100'Zack Settel Jean-michel Dumas	Parts of the nSLAM audio suite. The "xjimmies" library included with nSLAM v2.0 offers new functionality not defined in the original "jimmies" running under Max/MSP. Specifically, a number of new objects have been added for working with multichannel sound, sound source simulation and immersive audio. The name of the library, formerly "jimmies", was changed to "xjimmies", since the "X"-platform library runs in both PD (Windows/OSX/Linux) and now, in Max/MSP (Windows/OSX).