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a-12many External a delay line for 1 float to a list of many floats
a delay line for 1 float to a list of many floats
aelf_SpaceDelay_1.2 Patch Max4Live audio effect.
SpaceDelay is a panning delay with filter ,position controls,freeze and 3 LFO to control the position parameters and the envelope filter
The input signal is put into a delay line, then pass in a biquad filter, at last there is a panning position enginee.
Delay and LFO are syncronized with Ableton Live.
alea-rhythm Abstraction rythm generator
Sends out rhythm bangs at random times from a geometrical time row defined by a a min. and max. entry delay (ED) and a certain number of ED-values.
am.string~ External Implementation of the Karplus-Strong algorithm for synthesizing string and drum sounds.
This is a flexible implementation of the Karplus-Strong algorithm. A Lagrange FIR filter is used for the variable delay so that smooth pitch bends and vibrato can be achieved without artefacts. See the webpage for details.
au.delay External blend frame with previous frame
au.delayrand External blend frame with random previous frame
au.delaytrap External blend frame with selected previous frame
au.echoplex External delay with feedback
audiorouter Patch audio fx routing example
i wanted to use 4 filters on 8 outputs of a tap delay line; this selects 2 audio lines to go: thru/thru; thru/eq; eq/thru. with a pretty little matrix to control it (currently inside the patch). (i used 4 of these & 4 svf~ s)
Between-Delay Abstraction creates a random delay between two limt durations
brown-rhythm Abstraction Generates a brownian-movement-like rhythm
Generates a brownian-movement-like rhythm of a geometrical row of entry delays (ED) between a minimum and a maximum entry delay and a certain number of ED-values. The brownian factor determines the distance between two succeding rhythmical values. A factor of 0 produces a periodic rhythm, wheras a factor of 1 will output random values of the given range.
choice-rhythm Abstraction rythm generator
First a supply of rhythmical values (ED = entry delays) is generated. Whenever a bang is sent to the rightmost inlet, a choice of the indices from this supply is made which serves as a choice list for a random ("alea") selection of EDęs.
comb1~ Abstraction comb filter
A comb filter creates equally spaced peaks or troughs in the output signal's frequency response at each multiple of the peak width (a frequency value in Hz). This is done by adding a slightly delayed version of a signal to itself, which causes regularly-spaced phase cancellation in the signalís spectrum. Negative values for the intensity parameter cause the center frequency of all peaks to be shifted by half the peak width (i.e. the troughs occur at each multiple of the given width). The comb1~ module is a basic FIR (finite impulse response) comb filter which is much simpler than MSPís standard comb~ object. Usually, more than one comb1~ will be needed to produce enough volume for any musically useful filtering effects (it has a potential gain of 2).The help file shows how its gain may be boosted by connecting three (or more) in series.
comb2~ Abstraction comb filter
Unlike comb1~, this comb filter, an IIR filter, uses feedback in its delay line, so it has a very large potential gain, making it usable alone. This module comes closer to the standard comb~ object in MSP, although it does not implement feed-forward.
comb~ External IIR comb filter
IIR comb filter. The comb~ object implements a comb filter, in which a slightly delayed version of a signal is added to itself, causing phase cancellations and a spectrum that looks like a comb. The filter implements the following formula:
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